Neve desk, Alberts in Sydney had one, same studio that AC/DC recorded in with Brother George Young and Harry Vanda as producers. My band hired the studio for our "45" at $170 an hour circa 1979, in there for over 10 hours. Studio had Urei time aligned studio monitors, and for radio re-mix down Auratones, EMT plate reverb was a mechanical monster. Col Abrahams asked us if we wanted a click track in the 'cans...."click track..whats that?...we were doing the local pub scene constantly and were tight enough to carry the recording technique of the day, instruments first then vocals over the independent instruments, hard going playing a whole progression without vocal ques. We were a power trio.
Cannot recall how i ended up with bought new Kevin Coyne import to Australia ( Anthem Records town hall for the locals reading, most of my LP collection was import ). Process in the day of overseas recordings, as EMI owned a pressing plant at Homebush. Copy of half inch master, sent to EMI 301 Sydney ( a dreadful studio and dills running the place ) had a Neumann mastering lathe for acetate master to press shop production. Rubbish quality was the end outcome and also our much valued Boomerang House half inch master tape was turned into "$10 demo tape sound" by EMI Saga continued...another time. j